“Nina Weiss – Under Pink Skies” and and “Intrepid Strokes” are held over an additional three weeks, until August 7th.

Sunday afternoon in the gallery; today started as summer sweater weather. Sweater weather reminds one of scenic afternoons. Weiss’ paintings are more powerful than any common landscape term, and at the same time, very fitting of the places they enliven.

Turner’s latest
Big new paintings by William Turner at Mavi Contemporary

By Alec Clayton on June 1, 2011

Mavi Contemporary Art has a stable of about 20 artists whose works rotate from month to month. I may be wrong, but it seems like three of them, William Turner, Michael Croman and William Quinn, are in almost every show. These three are again featured in Mavi’s latest show. To be more accurate, Turner is featured and Croman and Quinn have a strong presence.

Turner’s paintings are his latest. I didn’t make a note of the dates, but those I did notice were all done this year. As with his previous works, they are large, colorful abstract paintings that relate to landscape, with oddly shaped patches of color that clearly reflect the look of trees, water, mountains and sky. Where the new work differs from Turner’s previous work is that these paintings are bigger and more energetic, and with more intense color.

It looks like he is pushing himself to take more chances and be more spontaneous, and that’s a good thing. What’s not so good is that with a couple of exceptions, the new work is more jarring, i.e., less harmonious, than his earlier work. The pieces do not lock together as well. The paintings read as a jumble of parts rather than a unified whole. Perhaps that’s a trade-off worth making, and maybe in efforts to come he will be able to compose his work more harmoniously while retaining the new spontaneity.

The best paintings in the show are “Hanging Ten” and “There is Always Time for Red.” Both are five feet tall and alive with brilliant colors from every point on the color wheel. “Hanging Ten” is more classically balanced than most of Turner’s paintings, with everything balanced on either side of a bright red zigzag that runs down the middle of the canvas like a canyon or a road cut through with mountains on one side and ocean beaches on the other. On the left are large areas of blue and light violet with numerous accents in many other colors. The right side is similar but with large fields of yellow and blue. There is water and a horizon line, but what would logically be sky above is yellow with a strange circular shape like something etched into the face of a cliff.

The intense colors fight each other, but are held in check by the carefully composed juxtaposition of shapes. It’s a good balance of a spontaneous slap-dash of paint and more carefully thought-out composition (although I suspect the composition was more intuitive than planned.)

“There is Always Time for Red” has less jarring colors, but is still vibrant with hot red, violet and orange, and a scrubby white and gray area below a delicate wash of red and orange.

In the vault – a separate gallery within Mavi that is actually an old bank vault – Michael Croman is showing 11 medium-sized landscapes in a style derived from 19th century landscape artists, but with the more modern addition of veins of tiny drips and runs of turpentine eating through the oil paint. It’s not a style of painting that I like, but the complexity of detail is admirable.

Also showing are sculptures with a clear Native American influence by William Quinn. Most are strong, totem-like standing figures. The strongest work of all is a piece called “Metamorphose,” which is a jumble of aspen limbs painted stark white, black and gray. Verbal description doesn’t do it justice. It’s a work that packs a wallop.

William Turner
Through June 12, 2–7 p.m., Wednesday–Sunday
Mavi Contemporary Art, 502 Sixth Ave., Tacoma
253.759.6233

Mavi Contemporary Art is excited to announce our June-July guest exhibition, Nina Weiss: Under Pink Skies. Nina Weiss will be in attendance at the Reception on June 16th, this month’s 3rd Thursday Art Walk.

Do you believe the color at heart in a landscape is green? Or burnt sienna? Think again! Weiss’ work proves the color depths and layers of landscape, full of ardent instinct and color theory. Her work lives to travel. Weiss says “I tease out the complex colors of the landscape using layers of color, line, and form to build (these vibrant paintings and drawings). The works are each a powerful moment from my travels in the everyday landscapes of our world.”

The Chicago Tribune wrote about her work’s inclusion in the movie “The Ice Harvest”: http://www.ninaweiss.com/downloads/ninaweiss_tribune.pdf

Nina Weiss is a professor at the School of the Art Institute of Chicago and Columbia College. Nina will be having a show of her large-scale landscape paintings this September with the Illinois Artisan Program at the Illinois State Museum Southern Illinois A.rt & Artisan Center

Join us for an In-Creed-ible reception this Thursday, April 21, 5-9 pm.
Exhibition dates: April 20-May 15.

We found Artist Lisa Creed by a fabulous moment of chance.
The re-model of the new Mavi Contemporary Art wasn’t even complete, when Elizabeth Ashe did an artist search and found Lisa Creed’s work. Her portfolio was the first and our favorite one of the evening. What first captured us was Creed’s spirited method of blending sky and land. Her paintings organic flights flare with saffron in an energy we have never seen before. Creed joined as a Gallery Artist soon thereafter.
We are thrilled to present her first exhibition at Mavi Contemporary Art. Please join us for this “In-Creed-ible” Show, welcoming Lisa Creed to the Northwest!

Creed’s work has recently been presented by Duke University with a 600-piece show. Her history includes 35 major exhibitions, in addition to other venues too numerous to mention.

“I seek both minimalism and complexity. Busy areas contrast with quiet spots. Shades of white initially seem the same and then, on closer view, are distinctly different. I want the viewer to be drawn in and to visually excavate these paintings. I want to engage the viewer to see the whole work then deconstruct it to individual parts and then to stand back and see the whole work once again.”
~ Lisa Creed

Hung in the Rear Gallery are new works by William Quinn, Alexis St. John, Christopher Mathie and Michael Croman.

$2,500.

Welcome to the First Blog Post of Mavi Contemporary Art!

Our November exhibition features three artists: William Quinn, Henry Haneda and William Turner. Come down to the gallery and take a look of their amazing work! Daydream yourself into “Blue Moroccan,” cast your eyes to “Pursue the Shadow of Salmon” and plant yourself in “Valley of the Fields.”

The show closes November 29th.

Join the raffle for a William Quinn gilcee for $10 each ticket. *Minimum reserve of $800, pending artist’s permission. If the reserve is not met, funds will be returned to participants.*                                                                Raffle will be drawn approximately December 20th.

Visit us in December for Alexis St. John’s newest work in the Vault, entitled “Millie’s Dreamquest.” Her narrative conjures up whimsy, longing, the familiar. We adore the vault!    New works will be hung throughout the gallery.

Over in Baltimore, Elizabeth’s semester is full of projects, a show, project proposals and a wish she packed a better power drill. Why is Home Depot so far away?

Written by Matt Nagle, Tacoma Weekly.

The grand opening of Mavi Contemporary Art was a big hit with Art Walk patrons Aug. 19. Throughout the evening many people stopped by and stayed a while to check out the extreme makeover given to the gallery interior, and to see the collection of paintings and sculptures by the gallery’s inaugural artist William Quinn of Gig Harbor.

With its smooth white walls and sparse décor, Mavi gallery’s interior incorporates a minimalist aesthetic in order to give as much attention as possible to the art on display. Natural light flows in freely from the tall windows and lots of floor space makes it easy for art lovers to mingle and move around. Owners Mavi and her daughter, Elizabeth Ashe, have further plans for the street corner gallery’s exterior, including new awnings that will soon be installed, and a large, signature sculpture is planned for an eye-catching attraction near the entrance. Locals familiar with the gallery’s façade will notice the restored, polished copper molding around the outside windows, having been buried for a long time under layers of paint.

Inside, it’s all about the singular artist being featured through his collection titled “European Odyssey.” An abstract expressionist painter with a penchant for woodcarvings, Quinn’s art ranges from big paintings up to six feet tall to 12-inch tabletop figures he’s carved from wood. He has a few larger carved figures in the show as well, such as his redwood “Harliquinnese” that stands 75-inches tall. Using no power tools, Quinn applies hammer and chisel to his larger carved works, and smaller tools like Q-Tips and nail files for the smaller ones.

On the walls, his paintings are showcased in the main gallery and in the back anteroom. Most he painted while in Europe, where he lived for two decades before moving to Tacoma to be near family. From an early age Quinn was encouraged in his pursuit of art. As he grew older and lived his life, his artistic expression came to encompass his outlook on life and art, his American roots and his European experiences. He has exhibited his works around Europe and the Midwest for more than 40 years, winning accolades and many prizes in competitive exhibitions. His esteemed work also earning him a place in “Who’s Who in American Art,” the preeminent biographical directory of noteworthy visual artists in the United States. Mavi got to know Quinn after the two met in France; she said that showing his work to open her gallery is a dream come true.

Quinn’s paintings are bold and executed with a confident hand. His fearless use of color makes for sweet surprises for the viewer. With commanding brushstrokes, heavy dark lines and dramatic content, his works command attention, sometimes quietly and sometimes not so quietly. Some of his smaller works contain unexpected moments, such as the artist’s incorporation of rags he’s used to wipe his brush on, torn into strips and added to the painting to share with others the “happy accidents” that occur when pigment meets cloth and magically creates something special.

“European Odyssey” is on view through Sept. 12. While at the gallery, also check out exquisite handmade jewelry by Ilse and “fireblaze pottery” by Wanda Garrity. Mavi Contemporary Art is located on the bottom floor of the historic Merlino building at the corner of 6th Avenue and South Fawcett. Hours are 1-8 p.m. Wednesday through Sunday, and by appointment: (253) 759-6233.

His show, “European Odyssey” will be on display from Aug. 18 through Sept. 12. An opening reception will take place on Aug. 19.

Quinn, a painter and sculptor, was on the crest of the wave of American abstract expressionism, a post-World War II art movement. “It was the dominant force (of art) in the 1950s,” he said. “The 1960s were about social revolution. There was the Vietnam War and the women’s movement. There was an emergence of women in art.”

Quinn believes pop art was the most devastating newcomer on the art scene. The difference between what was good and bad was lost during that era, he said.

“The aesthetics of art shifted,” he said. “It upset the values and the meaning of art. There was conceptual art and graffiti art — a parody on art as we knew it.” As time passed, there were fewer competitive art exhibitions where artists could make a living, Quinn said.

“They dried up because there were no standard values,” he said. “It was like the demise of the symphony orchestra. No one composes symphonies any more.”

Quinn made the comparison of when the Berlin wall came down — there were people who were not mentally prepared for such a drastic change in lifestyle — and everything became a big “free-for-all.”

Quinn is a true career artist. He received a master’s degree in painting and drawing from the University of Illinois on the GI bill. He ended up teaching art for 33 years at Washington University in St. Louis, where he met his Belgian-born wife, Janine, who worked in the art history department on campus.

“Art is all I’ve ever done,” he said. “My wife thinks I’m hopeless.”

While teaching at the university, the Quinns took summers off in Europe to paint, and they eventually moved there. William exhibited his work in France, Belgium, Germany, Italy and the Netherlands. He is listed in the “Who’s Who in American Art.”

While they stayed in Vance, a small town in the south of France, they met a fellow American artist by the name of Mavi (pronounced muh-VEE) Macfarlane. Mavi had sold her business in the Pacific Northwest, the Bainbridge Coffee Company, and moved to France to paint.

Years later, when the Americans found themselves back in Washington, Mavi, now a realtor for Key Peninsula Real Estate, sold the Quinns their home in Gig Harbor. So when Mavi realized her dream of opening her own art gallery, Quinn was a natural for the grand-opening exhibit.

“He’s a wonderful guy to have at our grand opening,” Mavi said. “His work is at museum level.”

The artist opened the Mavi Contemporary Art Gallery in the Merlino Art Center in June with her daughter, Elizabeth Ashe. Formerly known as the Two Vaults Gallery, the pair shut the doors for renovation.

“It was a complete full remodel, down to the plaster,” Mavi said. “It’s a really old building. But we heard the gallery was closing, and we didn’t want to see it close.”

The Mavi exhibit will be Quinn’s first solo art exhibition in Washington.

Read more: http://www.thenewstribune.com/2010/08/18/1304903/local-artist-has-solo-exhibit.html#ixzz10wi7HxCE

Read more: http://www.thenewstribune.com/2010/08/18/1304903/local-artist-has-solo-exhibit.html#ixzz10whwae5n
Read more: http://www.thenewstribune.com/2010/08/18/1304903/local-artist-has-solo-exhibit.html#ixzz10whplFT9

While others practice “deaccession,” Tacoma fosters awesome Islamic mural pieces and two new galleries

by Joe Malik on August 13, 2010. Weekly Volcano.

It’s getting bad out there. Museums in New York are trying to sell art to make ends meet. That prompted legislation that would prevent New York cultural institutions from selling art to cover everyday operating costs. Museums call it “deaccession,” which usually happens when museums want to buy more art by selling art that’s lost some of its luster. The New York Times called selling art to cover expenses a “misuse of funds that jeopardizes preserving cultural heritage as a public trust.”

Meanwhile, closer to home, art continues to be represented by independent and private collectors, organizations, and other crazy people who refuse to believe that we’re on the brink of the complete economic collapse.

{…}  Making a debut is Mavi Contemporary Art (Sixth and South Fawcett), which will occupy the space occupied by Two Vaults.

Mavi and Elizabeth Ashe are a mother and daughter team, and have been working to transform Two Vaults since June. Mavi is a painter, and her daughter has degrees from Cornell and the Art Institute of Chicago. The debut showing will showcase the work of Gig Harbor Artist William Quinn and several others.